Zeitz MOCAA opens – South Africa’s new contemporary art museum  designed by Heatherwick Studio

The Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), will open to the public at Cape Town’s V&A Waterfront on 22 September 2017, the world’s largest museum dedicated to contemporary art from Africa and its diaspora, designed by internationally acclaimed Heatherwick Studio based in London.

The museum will be housed in 9,500 sq metres of custom designed space, spread over nine floors, carved out of the monumental structure of the historic Grain Silo Complex. The Grain Silo Complex, disused since 1990, stands as a monument to the industrial past of Cape Town, at one time the tallest building in South Africa, now given new life through the transformation by Heatherwick Studio.

The galleries and the cathedral-like atrium space at the centre of the museum have been literally carved from the silos’ dense cellular structure of forty-two tubes that pack the building. The development includes 6,000 sq metres of exhibition space in 80 galleries, a rooftop sculpture garden, state of the art storage and conservation areas, a bookshop, a restaurant and bar, and various reading rooms. The museum will also house Centres for a Costume Institute, Photography, Curatorial Excellence, the Moving Image, Performative Practice and Art Education.

The R500 million (£30 million) development of Zeitz MOCAA, announced in November 2013, has been created in a partnership between the V&A Waterfront and Jochen Zeitz, as a not-for-profit public cultural institution in the heart of one of most visited cultural and historical hubs in Africa. Set on the edge of a natural, historic working harbour, with the iconic Table Mountain as its backdrop, and sweeping views of the ocean, city bowl and mountain peaks, V&A Waterfront attracts up to 100,000 people a day.

Thomas Heatherwick, Founder of Heatherwick Studio, said:

“The idea of turning a giant disused concrete grain silo made from 116 vertical tubes into a new kind of public space was weird and compelling from the beginning.

We were excited by the opportunity to unlock this formerly dead structure and transform it into somewhere for people to see and enjoy the most incredible artworks from the continent of Africa.

The technical challenge was to find a way to carve out spaces and galleries from the ten-storey high tubular honeycomb without completely destroying the authenticity of the original building.

The result was a design and construction process that was as much about inventing new forms of surveying, structural support and sculpting, as it was about normal construction techniques.

As the opening approaches we are all looking forward to witnessing the impact of the museum’s ambitious artistic programme and the museum taking its pivotal place in the middle of Africa’s cultural infrastructure.”

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